Congratulations to our Artistic Director, Maria Bauman, and the whole Skeleton Architecture crew for earning a Bessie Award nomination for Outstanding Performers!
About the Bessie’s
Produced in partnership with Dance/NYC, the NY Dance and Performance Awards have saluted outstanding and groundbreaking creative work by independent dance artists in NYC for over 30 years. Known as “The Bessie” in honor of revered dance teacher Bessie Schonberg, the awards were established in 1983 by David White at Dance Theater Workshop. They recognize exceptional work in choreography, performance, music composition and visual design.
A Selection Committee comprised of artists, presenters, producers, and writers choose nominees. All those working in the dance field are invited to join the NY Dance and Performance League—members participate in annual discussions on the direction of the awards and nominate members to serve on the Selection Committee.
About Skeleton Archictecture
“Sparked by Audre Lorde’s essay, “Poetry Is Not a Luxury,” writer Eva Yaa Asantewaa presents an evening highlighting the power of Black women within community. This evening imagines and activates Danspace Project as a site of InterSections – like crossroads, places of high-stakes risk, as well as magic. Over two hours, 20 Black women and gender nonconforming dancers from different generations and dance genres channel and manifest InterSections, crossroads sites within Danspace’s sanctuary, responding, in improvisation, to the following prompts: the walk, the sermon, the flood, the haunt, and the planting.”
Ensemble of the skeleton architecture, or future of our worlds: Maria Bauman, Sidra Bell, Davalois Fearon, Marjani Forté-Saunders, Melanie Greene, Kayla Hamilton, Jasmine Hearn, Marguerite Hemmings, Nia Love, Paloma McGregor, Sydnie L. Mosley, Rakiya Orange, Grace Osborne, Leslie Parker, Angie Pittman, Samantha Speis, Charmaine Warren, Marýa Wethers, Ni’Ja Whitson, and others*
Curated by Eva Yaa Asantewaa
Danspace Project Platform 2016: Lost and Found
Photo Credit: Ian Douglas